Free PDF Handmade Culture: Raku Potters, Patrons, and Tea Practitioners in Japan, by Morgan Pitelka
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Handmade Culture: Raku Potters, Patrons, and Tea Practitioners in Japan, by Morgan Pitelka
Free PDF Handmade Culture: Raku Potters, Patrons, and Tea Practitioners in Japan, by Morgan Pitelka
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Review
Far broader in scope than simply a book about Raku ceramics, Pitelka’s work adeptly challenges accepted notions about nearly every aspect of Raku’s history, making a major contribution to the emerging scholarly paradigm for investigating Japanese craft traditions. . . . The importance of Handmade Culture to an international understanding of Japanese culture is clear. Source: www.caa.reviews.orgA superb study of the Raku house of ceramics. It emphasizes not the Momoyama origins of Raku, but the four hundred plus years of evolution that are, as Pitelka knows, responsible for Raku’s profound presence in Japanese cultural history. . . . [His] book is not a paean to Raku masterpieces, but instead performs the more significant task of identifying and discussing the issues behind this ongoing tradition. As such it defines the field and is essential reading. Source: Artibus Asiae[Pitelka’s] book brings insight and clarity to the fundamental questions that lie at the heart of our apprehension of the past. Source: ImpressionsAn important, comprehensive, and cohesive study of raku pottery. Pitelka’s book has merit and importance for contemporary understandings based on mythnohistories, the assumptions that shape perceptions and appreciations. Handmade Culture demonstrates the value of deconstructing contexts of material culture through an analysis of institutionalized instruction, connoisseurship, and transmission of a cultural form as chanoyu shifts from a Japanese tradition to invite a global audience. Source: Studies in Art Education: A Journal of Issues and ResearchPitelka has issued the first challenge to Raku orthodoxy, and his analysis is both responsible and courageous. Source: Monumenta NipponicaA meticulously researched yet highly accessible history of Raku. . . . Pitelka offers a new approach to interpreting Japanese ceramic culture, through the productive and social forces at work, and does so with considerable erudition and readability. . . . An exceptional contribution to English-language scholarship on Japanese culture. Source: Crafts
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Review
Morgan Pitelka’s Handmade Culture, an interpretive history of the raku tradition, is both informative and innovative. It begins with the tradition’s local origin in late-sixteenth-century Kyoto, traces its emergence as a distinctive national discourse, and closes with an account of its survival in modern times. Pitelka’s attention to raku’s broader social and economic contexts, inspired by Pierre Bourdieu’s theory of cultural production, offers a new approach to Japanese art history. Author: Samuel Yamashita, Pomona College
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Product details
Paperback: 252 pages
Publisher: University of Hawaii Press (October 31, 2005)
Language: English
ISBN-10: 0824829700
ISBN-13: 978-0824829704
Product Dimensions:
6 x 0.6 x 9 inches
Shipping Weight: 14.9 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#84,468 in Books (See Top 100 in Books)
I bought this book after hearing Morgan Pitelka speak. It is very informative and will greatly enhance my understanding of both the art of Raku and the practice of Tea. As a Raku artist, I have found that there is a lot of confusion "out there" on the web regarding Raku, and this scholarly yet approachable book will be a source I can trust whenever I need to give a presentation.
Pitelka eschews aesthetic valuations of raku and, instead, explores a socio-cultural history, relating the significance of patronage, power and the creation of origin accounts to the definition and regulation of a tradition. A key to this approach is his quote (on p, 90) from the French sociologist Pierre Bordieu: '[the] work of art is an object which exists as such only by virtue of the (collective) belief which knows and acknowledges it as a work of art.' This is a refreshing and important book, joining Donald Richie's 'Tractate on Japanese Aesthetics' on my shelf. The copy I purchased was covered on virtually every page with underlinings, asinine comments and other involuted ruminations that not only diverted the eye from the text but also gave the lie to the announced statement that the book was in good condition. Beware! Amazon itself suffers without descriptive protocols that make plain that marginalia and other scribbles bear on statements of condition. Caveat Emptor is no defence.
Excellent book, full of helpful info...lot of good detail, good illustrations would higly recommend it to any one interested in pottery
An interesting PhD thesis that claims that a lot of the 'traditional' history about how Raku got started, such as the relationship between Rikyu and Chojiro, is actually insubstantiated and potentially fabricated one or two centuries later when the larger tea schools needed to beef up their image. This claim is based on, among other things, the large number of archeological digs that happened just in the past 20 years. These digs have been referred to in other recent books as well. This is a very informative book, even for someone who didn't know a whole lot of history beforehand.
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